In Dan Nadel’s brief foreword to his comprehensive and lucid biography of comics luminary Robert Crumb — popularly known as R. Crumb — the author describes a single condition exacted by his subject.
Three-quarters of the way through Richard Linklater’s 1990 film “Slacker,” an accomplice to a botched robbery strolls past a concrete lot covered in AstroTurf, on top of which a sculptor is setting up ...
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